He elaborates on continents related with the invention of mythologies, fate, void, irony, with the appropriation and modification of images, treatments done by the poetry of the impossible. He is interested in interweaving with words, texts, correspondence as bottles thrown and lost in the sea, to imaginary senders, over boats that fade away. The rhetoric that he projects is a synthesis of visual poems, that conduces to unknown repercussions through arbitrary decisions, capricious, to scenes felt, absurd, oniric, in the navigation of seeking stars, specular stars. The poetry is over there in the unknown. The vault of heaven offers a map of metamorphic intermittences, ones that throw multiple stems, dreams. The vehicles with which he approaches that boundaries of the reality are diverse, such as experimental photography, digital graphic, collage, draw, photomontage, written words, animation, video. Gustavo A. Rodríguez Nava actually lives and transits in Mexico.